With Virginia and the nation celebrating 250 years of freedom from England in 2026, I thought it might be fun to occasionally bring up some local history. At one time, Botetourt County stretched all the way to the Mississippi and into Wisconsin, which means my county's history is also the history of much of the nation.
Botetourt County has few claims to well‑known authors and writers, and for nearly 100 years not many people have realized the county has a connection to poet Joyce Kilmer (1886–1918) and to Harper’s publisher Henry Mills Alden (1836–1919).
The county’s link to these two noteworthy figures rests with Ada Foster Murray Alden (1857–1936).
In 1868, Ada’s family moved to Botetourt from Craig County, the last of some 43 different moves that her father, Joseph Foster (1816–1880), made with a family of 10 children. He eventually purchased the 64‑acre farm located on the North Fork of Catawba Creek, about four miles outside Fincastle at the foot of Caldwell Mountain. They called the farm Edgebrook.
In an unpublished autobiography written in 1930, Ada, the youngest child, recalled that she was eleven years old when they arrived in the county. Her father died on the farm; her mother passed away in 1895 in Norfolk. Both are buried in Mt. Pleasants Cemetery in the White Church area of Botetourt. Joseph Foster, a teacher, was formerly the president of Marshall College in Huntington, West Virginia (now Marshall University).
For years the exact location of the Foster home was uncertain. An inquiry from John Foster to this writer led to a detailed examination of records in the Botetourt County Clerk’s Office and a discussion with an older landowner on the North Fork of Catawba. Based on this information, the property was found.
The children of the family sold the land in 1916, ending the Foster family’s direct connection with this particular parcel near Fincastle.
Ada painted a vivid picture of life at Edgebrook: “The rude, tiny house shaded by beech, sycamore, walnut and locust trees had a magnificent mountain for its background, with the Peaks of Otter in the blue distance. From our living room window the sunrise behind these three azure peaks and Caldwell’s Mountain was a real throne for the setting sun.”
She remembered stagecoaches passing by on their way from Bonsack to White Sulphur Springs via New Castle. “The large, rolling, gaudily painted coaches had such fanciful names as Ladybird and Fairy Bell. They also carried the mail, which made them the greatest element of romance in our almost hidden life,” she wrote. The family often welcomed travelers with cool water or homemade lemonade.
One memorable summer visit came from cousins Clarence Fonerden and “millionaire” Fred Van Bueren. To Ada, sophisticated city guests were a mark of distinction in their rural world. That summer the family also acquired its first carriage — “the dream of my worldly ambition.”
Ada also recalled visiting the Breckinridge family’s private library at Grove Hill, a plantation home just outside of Fincastle that burned in 1909.
According to her obituary, one of her earliest memories occurred before the family moved to Botetourt. In April 1861, her eldest brother brought home a newspaper bearing the black‑letter headline “War Declared.” Though opposed to slavery, her father decided at the outbreak of war that Virginia “had the first claim upon his loyalty.” Her eldest brother, Hopkins Barry Foster, was disabled in Confederate service, and another brother, 12‑year‑old Joseph Barrymore Foster, served as a drummer boy.
Ada married in 1874. Her husband was Kenton Murray, a “charming young gentleman” originally from the Coyner’s Springs area of Botetourt. They became acquainted when she submitted a poem to the Mobile Register, which Murray edited. He later became publisher of The Norfolk Landmark, a newspaper that ceased publication in 1911. Considered one of the best‑known newspaper men of the South, Murray was widely respected at the time of Ada’s death. The Murrays had five children, and when Kenton died in 1895 their son Kenton Foster Murray succeeded him as editor of the Landmark at just 19 years old.
In 1901, Ada married Henry Mills Alden, the longtime editor of Harper’s magazine. She described their meeting with playful charm: after deciding to submit her poems to northern magazines, she visited the Century Magazine office. Richard Watson Gilder, then editor of Century, called Henry Alden and reportedly said, “Were you able to do anything for that charming little widow I sent you with a lot of good poetry?” Alden’s reply: “Well yes, I married her.”
Alden shaped American letters for decades. With Harper’s from 1869 until his death in 1919, he edited countless stories and essays and maintained friendships with many of the era’s leading writers.
Ada was a literary figure in her own right. She published her first poem in the New York Evening Post at age 15 and continued writing throughout her life, contributing articles and editorials to newspapers including The Norfolk Landmark and The New York Times. One early editorial she wrote in 1876 advocating cremation sparked controversy and the withdrawal of advertisements, she later recalled.
She wrote and published poetry into her later years, and in her seventies received a National Poetry Society prize for her poem Unhearing. She was a member of the Poetry Society of America and the Women Poets of New York. Ada died of a heart attack at a son’s home in New York.
Her daughter, Aline Murray Kilmer, married poet Joyce Kilmer, best known for the beloved poem “Trees,” which he dedicated to his mother‑in‑law when it was first published.
With her personal accomplishments and her connections to literary figures like William Dean Howells, Mark Twain, and Woodrow Wilson, Ada Foster Murray Alden deserves a place on Botetourt County’s short list of notable historic figures. She joins such names as Mary Johnston (1870–1936), the best‑selling author of To Have and To Hold, who was writing during the same period.
References
Alden, Ada Foster Murray. Unpublished Autobiography, 1930. Botetourt County, Virginia. [Unpublished manuscript; exact source unknown].
Word Association. Share what comes to mind when you hear the word ...
1. Biscuit - Gravy
2. Crayon - Color
3. Warmth - Sun
4. Flip - Flop
5. Slush - Mud
6. Wing - Bird
7. Candle - Wax
8. Cinnamon - Buns
Thank you for playing! Please come back next week.
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1) "With or Without You" is about the pain of love. What song reminds you of an old romance? Is it about the joy of love or the pain?
A. I don't have a song that reminds me of an old romance. I've been married for 42 years so I just have this old fellow to love on. We never really had a song, either, to be honest.
2) U2 lead singer Bono has admitted that, when the group recorded this song in the 1980s, he was wrestling with his real-life commitment issues. He was trying to resolve the responsibilities of being a husband with the demands of his career. He worked it through, and decades later both his marriage and his career are still going strong. Do you feel you have been more successful in your personal or professional relationships?
A. I would consider that to be about equal.
3) Bono credits his wife Ali with helping him through a tough period of writer's block, saying she put the pen in his hand each morning. What time of day finds you the most energized, productive or creative?
A. I seem to do my best work between 11 a.m. and 2 pm.
4) Bono likes to pedal around town when he's not onstage. What do you do for exercise?
A. I walk on a treadmill.
5) Bono is U2's lead singer, backed by three very talented bandmates: The Edge, Larry Mullen, Jr., and Adam Clayton. Bruce Springsteen is a big fan of U2's concert performances. If Saturday 9 were to bestow upon you a free ticket to any see any band or performer live, who would you choose?
A. The Eagles but before Glenn Fry passed away.
6) U2 got together 50 years ago, when they were school boys in Dublin. Have you ever visited Ireland? If not, would you like to go?
A. I have not visited Ireland. I would like to go.
7) In 1987, the year this song was popular, Cher won the Academy Award for Best Actress. Her most famous line was, "Snap out of it!" Without looking it up, can you name the movie that made her an Oscar winner?
A. I have absolutely no idea. I don't know that I've ever watched a movie with Cher in it.
8) Also in 1987, the first Starbucks opened. What's your standard Starbucks order?
A. I have never ordered anything from Starbucks.
9) Random question – Which self-help book would you be more likely to pick up, the one designed to improve your body or your mind?
A. The one designed to improve your mind.
*We are having my father's interment today, since the ice has finally melted. I may not get around to visiting other blogs right away.*
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For today's Thursday 13, I offer up a list of misheard lyrics:
1. “Blinded by the Light” – Manfred Mann’s Earth Band For years, I heard it as “Wrapped up like an edition of the Roller in the night,” which honestly sounds like something out of a surreal 1970s magazine spread. The actual lyric is “revved up like a deuce, another runner in the night,” with “deuce” referring to a ’32 Ford coupe. Once you know that, the line finally makes sense — but the misheard versions are far more fun.
2. “Tiny Dancer” – Elton John “Hold me closer, Tony Danza” has become a cultural touchstone. The real line is gentler and decidedly not about a sitcom star. The real line is "Hold me closer, tiny dancer."
3. “Bad Moon Rising” – Creedence Clearwater Revival “There’s a bathroom on the right” is so common that Fogerty has leaned into it onstage. The real lyric warns of trouble, not plumbing. The real line is "There's a bad moon on the rise," although I have misheard it as "There's a bad moon on the right," myself.
4. “I Can See Clearly Now” – Johnny Nash Many hear “I can see clearly now, Lorraine is gone,” as if poor Lorraine had been the problem all along. It’s the rain that’s gone, not a person. "I can see clearly now, the rain is gone," is the actual line.
5. “We Will Rock You” – Queen Some listeners swear they hear “Kicking your cat all over the place.” It’s “can,” not “cat,” though the beat makes it easy to mishear. The actual line is "kicking your can all over the place."
6. “Like a Virgin” – Madonna The misheard “Like a surgeon” became so iconic that Weird Al turned it into a full parody. But it's really, "like a virgin."
7. “Africa” – Toto The line about blessing the rains often morphs into “I miss the rains” or “I guess it rains,” depending on the listener’s expectations. The line is "I bless the rains down in Africa,"
8. “Every Time You Go Away” – Paul Young “You take a piece of meat with you” is a surprisingly common mishearing. It’s “me,” not “meat,” though the vowel stretch invites confusion. "You take a piece of me with you," is the real line.
9. “Dancing Queen” – ABBA Some listeners hear “You can dance, you can die,” which gives the song an oddly ominous twist. The real lyric is “You can dance, you can jive,” but the bright delivery blurs “jive” just enough that the ear sometimes takes a darker detour.
10. “Livin’ on a Prayer” – Bon Jovi The line about making it “or not” sometimes becomes “if we’re naked or not,” which is . . . a different kind of struggle.
11. “Desperado” – Eagles A subtle one: some listeners add an extra “to” at the end of the final line, softening the urgency and changing the rhythm. The real lyric is “You better let somebody love you before it’s too late,” which lands more firmly without that extra syllable the ear wants to sneak in.
12. “Rapture” – Blondie Debbie Harry’s rapid-fire delivery turns “man from Mars” into “men from bars” and “eating cars” into “eating corn” for many listeners.
13. “Bohemian Rhapsody” – Queen That fleeting moment where it sounds like the mother might be the one who “killed a man” — an easy mishearing in the operatic swirl. The line is, "Momma, just killed a man," except the comma doesn't seem to make it into the song.
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Thursday Thirteen is played by lots of people; there is a list here if you want to read other Thursday Thirteens and/or play along. I've been playing for a while, and this is my 947th time to do a list of 13 on a Thursday. Or so sayth the Blogger counter, anyway.
Shifted from physical media (CDs/DVDs) to digital licenses and platforms like Steam.
📲 Online & Casual Gaming Shift
Games moved online and to mobile: casual experiences like Candy Crush.
A different model: licensing, downloads, and microtransactions replace physical disks.
🏆 Key Takeaways
You witnessed the entire evolution of gaming: home consoles → home computers → PC DOS games → RPG & strategy epics → modern digital distribution.
Played across genres: text games, platformers, FPS, RPGs, strategy, simulation, and casual/mobile games.
Not just a player—you programmed, adapted, and collected over decades.
Survived a male-dominated, evolving gaming world.
Your story reflects both personal and computing history.
Verdict: Legendary is accurate—but your journey is more than that: it’s an epic narrative of gaming itself.
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I still have many of these old games on disks, tucked away in a closet. I have nothing to play them on, of course.
The reason I was able to play so many video games was this: I was home alone a lot. My husband was a firefighter. He worked a 24-hour shift. At night, after work, I wound down with a video game instead of watching television.
I have never been a big television watcher.
After we talked some more, ChatGPT wanted to make an image showing off all of this information. I will share it here:
How about you? If you were or are a gamer, do you consider yourself legendary?